Roman, Imperial Period, ca. 2nd to 4th century CE. Carved from a creamy, white marble, this is an interesting sculpture depicting two stages of the life of one of the most popular gods of the Roman pantheon, Dionysus (Bacchus). The main figure is a standing depiction of the god as an adult - handsome, youthful, and nude aside from sandals and a sash across the body. His muscular legs and chest as well as his genitals are carefully carved, creating a sensuous, lifelike portrait. His head and face are large, with big eyes, an expressionless mouth, and a small nose. His face is framed by curled hair parted at the center, and a garland is visible at the top of his head. Beside him is a grapevine with three large clusters of grapes on it; hints of architectural details are visible to either side of the god, including the bases of possibly two columns. Low and on one side is a figure of a bearded man wearing a loincloth and holding up a baby inside a basket - probably meant to be Silenus and perhaps baby Dionysus himself. Size: 5.25" L x 16" W x 25.75" H (13.3 cm x 40.6 cm x 65.4 cm)
The sculptural details present here are fantastic - particularly of the grape clusters and the god's clothing and sandals with perfectly lifelike toes. Interestingly, the god is also sculpted on the back, with details of his body and clothing nicely carved. The other figures are not carved on the back - so the god may have been at the end of a relief, while the figure of Silenus and child were part of a relief.
Although Dionysus and his followers like Silenus appear on classical Greek pottery - usually on vessels for wine - they first became popular in sculpture in the Hellenistic period, when many of the conventions of portraying them became codified. The visual clues to this sculpture's identity come from comparison with other portrayals of Dionysus - see, for example, the 2nd century Roman statues of the god that are after Hellenistic originals and are now held in the Louvre and Prado, where the hair and headdress are very similar. Silenus holding the child Dionysus - son of Zeus and a human woman, Semele - is also a motif known from classical artwork. For example, there is a Roman marble copy of a Greek original sculpture by Lysippos (ca. 300 BCE) that depicts the bearded god cradling the child.
Dionysus's popularity in sculpture only grew in Imperial Rome. The wealthy people who could commission marble statuary were attracted to him for many reasons, aside from just being the god of pleasure - his half-mortal form, his magnificent lifestyle, and the possibility that he could be an ancestor of their own. From the 2nd century onward, scenes of Dionysus and his entourage crowded the tombs of the Roman elite - likely where this panel originated.
See a similar sculpture that sold at Christie's London in 2013 for GBP 31,250 (approximately $45,000 USD): https://www.christies.com/lotfinder/ancient-art-antiquities/a-roman-marble-dionysus-circa-2nd-century-5673377-details.aspx?from=searchresults&intObjectID=5673377&sid=b1fbcd4a-297c-4b05-a9ef-050b536c767a
Provenance: private East Coast, USA collection; ex-Frances Artuner collection, Belgium, acquired in the 1960s
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#143895
Condition
Piece is a fragment as shown. Much of the main figure remains aside from the arms and part of the hair/headdress. Silenus is in nice condition. The grapevine behind is partially lost. Wear on surface commensurate with age, including small scratches and chips. Deposits on surface as shown.