Robert Mangold 2-Part Aluminum Sculpture, ca. 2005

About Auction

Live

Exceptional Antiquities Ethnographic Fine Art...

By Artemis Gallery

Mar 24, 2022

Set Reminder 2022-03-24 10:00:00 2022-03-24 10:00:00 America/New_York Bidsquare Bidsquare : Exceptional Antiquities Ethnographic Fine Art https://www.bidsquare.com/auctions/artemis-gallery/exceptional-antiquities-ethnographic-fine-art-9057
Museum-worthy examples of classical antiquities (Egyptian, Greek, Roman, Near Eastern), Viking, Far East / Asian, Pre-Columbian, African / Tribal, Oceanic, Native American, Spanish Colonial, Fossils, Ancient Jewelry, Fine / Visual Arts, so much more! Artemis Gallery info@artemisgallery.com

View Full Catalog (416)

• Lot Description
  Robert Mangold (American, b. 1937). "PTTSAAES #31 A-05" ca. 2005. A unique work by American artist Robert Mangold - a two-part metal sculpture comprised of powder-coated aluminum, intended to give the illusion that it is piercing a wall and continuing to the other side with its zigzagging, lightning-like form. This piece was installed so that one section was visible on the interior of a home, and the other section continued to the exterior; however, it could also be set entirely indoors "piercing" an interior wall if so desired. What has set Mangold apart from other welded-metal sculptors has been his fascination with space, time, and motion - words that actually became the title of his solo exhibition at the Artyard Sculpture Gallery in Denver, Colorado. Approximate size of 1 part: 58.75" L x 33.75" W x 26.25" H (149.2 cm x 85.7 cm x 66.7 cm) Approximate size of second part: 57.5" L x 24" W x 26.25" H (146 cm x 61 cm x 66.7 cm)
  
  This piece is part of a series (though a unique work within the series) that Mangold calls his PTTSAAES, an anagram for "a Point Traveling Through Space At An Erratic Speed." In this series, Mangold explores a concept he calls "implied kinesis" - meaning virtual movement that also involves the viewer who when contemplating a PTTSAAES sculpture, should welcome a "transformation to occur by adding unseen forces to the seen material of the sculpture in order to energize the piece into a kinetic state." Each PTTSAAES sculpture is constructed of metal - either industrial stainless steel, brass, or aluminum piping. Rather than creating preliminary drawings for these works, Mangold begins with a general idea, and as he forms it, he allows the piece to evolve during the process.
  
  Mangold was inspired by pioneering kinetic sculptors of the 20th century, including Naum Gabo, Laszlo Moholy-Nagy, and of course, Alexander Calder. In addition, David Smith, another Indiana native, was an immense influence of Mangold. Smith began experimenting with welded metal in the 1930s and had a retrospective at the Museum of Modern Art in 1957. Mangold earned his BA from Indiana University the year after Smith's exhibition, started working with the medium around 1958 and has created striking sculptures for more than 50 years, adding his own twist with his concept of "implied kinesis" or virtual movement. During the late 1960's and 1970's, Mangold exhibited in Colorado, New Mexico, Texas, Utah and Nebraska - and his work has been acquired as far as the Hakone Open Air Museum in Tokyo. Interestingly, Mangold has received international recognition only within the last 20 years. This is probably because he has chosen to live and work in Denver, Colorado rather than New York or Los Angeles. Mangold is actually best known in Europe and Japan where he won the prestigious Superior Prixe at the Henry Moore Grand Prize Exhibition in Tokyo in 1989.
  
  This piece has been searched against the Art Loss Register database and has been cleared. The Art Loss Register maintains the world’s largest database of stolen art, collectibles, and antiques.
  
  Provenance: ex-William and Jane Frazer, Aspen, Colorado, USA, acquired 1980s
  
  All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
  
  A Certificate of Authenticity will accompany all winning bids.
  
  PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
  
  Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
  
  #167654

  Condition

  One of the two parts of this sculpture was displayed on the exterior of the owner's home and weathered (sun faded) as shown. We have discovered that it is possible to reverse the faded areas to their original coloring; however, we have elected not to do so. This said, if the next owner of this piece would like it in its original coloring, we will be happy to polish this region back to its original coloration. There are also some stains, paint splatters, etc. that we did not remove, but certainly could if desired. In addition, an elbow joint of the interior section of the sculpture has been reattached with slight touch up to pigment over the repaired break line. This work is certainly displayable as is; however, if the next owner would like to pursue restoration to the artist's specifications, we will be happy to provide contact information for a restorer who specializes in Mangold sculptures.
• Shipping Info

  • All shipping is handled in-house for your convenience. Your invoice from Artemis Gallery will include shipping calculation instructions. If in doubt, please inquire BEFORE bidding for estimated shipping costs for individual items.

• Buyer's Premium
  • 26.50 %