Pre-Columbian, South Coast Peru, Nazca, ca. 300 to 500 CE. An incredible feather and hair headdress with brilliant feathers and human hair, attached to the feathers via knotted interlacing cords, the hair set to the sides and left naturally black and dyed an orange color. The paradise tanager (Tangara chilensis) and blue-and-yellow macaw (Ara ararauna) may have supplied the feathers for the crest. Colorful feathers were prized materials in Andean cultures and used by the elite for clothing and ornaments. Avian motifs and the use of feathers were symbolic in Andean cultures, for birds were sacred animals that could fly between worlds and were messengers for the gods. All is displayed in a museum quality acrylic case that demonstrates how this was worn. Wig headdresses have been found in association with mummy bundles of elite people and royalty, the feather and fibers preserved by the arid climate and burial practices. A spectacular and truly rare piece! Size: 10" Diameter x 9" H (25.4 cm x 22.9 cm); case: 15" L x 13" W x 25.5" H (38.1 cm x 33 cm x 64.8 cm)
The ancients of the Andes held parrots in high esteem, thought to be incarnations of sky deities for their ability to fly well above the tree line, but also prized for their brilliant plumage. According to scholar Christine Dixon, "The brilliant feathers of South American birds, especially from parrots such as the Scarlet Macaw, were desired by most ancient Peruvian cultures. Their use for costumes and decorations, sometimes far from the birds' habitats, points to the trade and exchange of feathers between the lowlands and forests and the highlands and coasts of Peru. According to detailed studies of the types of birds used, the objects were typically made from the feathers of birds found in the tropical zones at lower altitudes [of the Andes] in eastern Peru and the Amazon Basin. Of the 1800 native species, most were chosen for their colorful plumage or avian characteristics: the eagle was associated with power and strength, for instance. Birds frequented the sky and therefore represented the upper world or the heavens. Yellow plumage may have been so coveted because it stood for the sun, light, gold and the gods." (Source: Christine Dixon, "Lost Worlds of Peru: Nazca Culture," National Gallery of Australia)
Provenance: private Hawaii collection, acquired 2000 to 2010
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#177483
Condition
Some fading and discoloration and bending to feathers. Overall excellent. Some active flaking to feathers, so we recommend handling as little as possible. Modern ribbon tied under the feathers. Displayed in custom museum quality acrylic case.