Ancient Near East, Mesopotamian, ca. 2400 to 600 BCE (toward the earlier years of this period). Given that very little painting from Mesopotamia has survived the tests of time, this section of a painted fresco is incredibly rare. The composition presents a horse pulling a chariot, with the front wheel and cart nicely detailed. In addition, one can see the reins leading to the horse as well as a human hand grasping a stretched archery bow above. The horse is beautifully groomed and probably belonged to a noble personage or elite warrior. Notice the horse's fancy saddle with a striated pattern, his twisted or possibly plaited mane and tail, and the chevron-like motifs adorning his trappings. The artist also cared to indicate a sense of space, as a groundline is denoted by a grassy field. All is outlined in black with a steady, skilled hand. Russet red-brown pigment remains on the horse's body, saddle, cart, and wheel AND blue-green pigment remains on the blades of grass. Size: 14.375" W x 10.75" H (36.5 cm x 27.3 cm)
Interestingly, the fine black lines used to outline the forms conjure those of the fresco depicting a sacrifice from the Palace of Zimrilin from Mari at the Getty (https://www.gettyimages.com/detail/news-photo/fresco-depicting-a-sacrifice-from-mari-archeological-site-news-photo/142931278). Frescoes with figural imagery were discovered in five rooms of the Palace of Mari, but restorers could only reassemble four of those compositions, because so much damage was done by Hammurabi of Babylon's sacking of Mari in ca. 2760 BCE.
Provenance: private Vero Beach, Florida, USA collection; acquired in Paris, France from an old French collection between 1977 and 1987
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#143700
Condition
A fragment from a larger fresco. As visible on the reverse, the fresco was stabilized from several pieces in the early 2000s by Nelson C. Dale of Restoration Services in Boston. Normal surface wear with some losses to pigment and divots/losses to fresco material as shown, but much remains with legible imagery as shown.