Roman, Imperial Period, ca. 1st to 4th century CE. A stunning leaded bronze figure of Venus (Greek Aphrodite), the goddess of love and beauty, enveloped in a verdant green patina. Crowned by a crescent-shaped diadem, the gorgeous deity stands in contrapposto with her right leg bent at the knee and her weight gracefully shifted. Her left arm gently bends as her hand grazes her body, hovering over her sex, perhaps a gesture of modesty like the Venus Pudica, and her right hand extends out from her body in a welcoming pose. The goddess turns her head ever-so-slightly toward her right, her tranquil visage displaying naturalistic features framed by a rolled back coiffure resolving in a chignon, while soft tendrils grace her shoulders. A truly remarkable relic from the ancient Roman Empire! Size: 1.5" W x 3.4" H (3.8 cm x 8.6 cm); 5" H (12.7 cm) on included custom stand.
A breathtaking representation of the goddess who possessed such sublime beauty that she inspired much rivalry among the gods, all of whom wished to make her his wife. According to classical mythology, Jupiter (Zeus) determined that Venus (Aphrodite) would marry Vulcan (Hephaestus), the handicapped blacksmith god. Vulcan in turn created a magical girdle to guarantee her fidelity. Unfortunately for him, the Goddess of Love and Beauty proved unfaithful. Venus (Aphrodite) has inspired countless representations in visual culture, among the most famous, Attic sculptor Praxiteles' "Aphrodite of Knidos" (ca. 360 to 330 BCE) and Renaissance painter Sandro Botticelli's "Birth of Venus" (1484-86).
Published: J. Eisenberg, Art of the Ancient World, vol. IV (1985), no. 194; vol. VI, 2 (1991), no. 119.
On loan to Ball State University Art Museum, George Mason University, and Fitchburg Art Museum from 1997 to 2016.
Provenance: private Jersey City, New Jersey, USA collection; ex-Artemis Gallery; ex-private K.D. collection, Warwick Rhode Island, USA, acquired from Royal-Athena in August 1997 - On loan to Ball State University Art Museum, George Mason University, and Fitchburg Art Museum from 1997 to 2016. Published: J. Eisenberg, Art of the Ancient World, vol. IV (1985), no. 194; vol. VI, 2 (1991), no. 119.
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance),
we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#169899
Condition
Losses to lower legs and feet. Expected surface wear with abrasions and softening of detail, commensurate with age. Bronze has developed a gorgeous green patina.