Oceania, New Zealand, Maori, ca. early to mid 20th century CE. This is an incredibly ornate canoe prow known a tauihu with several figure heads, hand-carved from wood, and inlaid with nacre shells. The piece is composed of 3 pieces- a thick base with a V shaped slot for mounting on the canoe with a figure etched in the center, and head projecting from the front. An upright panel with a relief carved figure faces into the boat and represents a hauki guardian figure, an ancestor watching over the paddlers. A sweeping openwork fin with swirling spiral motifs and a figure with a bird-like beak on the tip, and a second figure along the spine represent additional deities and guardian spirits. Each figure is a stylized tiki form, with incised curvilinear details and the eyes of all are inlaid with nacre. Throughout is a beautiful dark and lustrous patina of a red-brown hue, and this may have been a handsome and imposing prow on a war canoe! Size: 38" L x 13" W x 23" H (96.5 cm x 33 cm x 58.4 cm)
Maori wood carving is an incredible art form, as this piece can attest to, its practitioners rightly recognized as masters. Their woodcarving tradition lasted in many areas into the later nineteenth century despite colonization and missionaries. Carving schools in several areas of the country kept the Maori tradition alive. Carvers used local trees, and a prayer known as a karakia would be said prior to cutting them down, thus showing respect for the forest. Their war canoes, known as waka taua, were lengthy vessels that were not only swift battleships, but symbols of prestige with symbolic ancestor figures that would watch over and imbue power to the paddlers.
For a similar example and more detailed information about Maori prow carvings please see the Penn Museum website article "Maori War Canoe Ornaments" by H. U. Hall, Museum Bulletin V, no. 5 (March 1935): 55-59, and the Penn Museum object number: 18128.
Provenance: Whisnant Gallery, New Orleans, Louisiana, USA acquired prior to 2000
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#170373
Condition
The 3 main wood pieces easily come apart via pegs and tenons and are missing several pegs and is slightly loose when upright, but easily could be reinforced. Wear chips and abrasions to base due to shifting of wood panels and small areas of discoloration with a modern white pigment. Nicks to high pointed area of largest panel, but overall excellent condition and intact carvings.