Pre-Columbian, Western Mexico, Nayarit, ca. 300 BCE to 300 CE. A superb set of matched male and female bichrome terracotta figures, each displaying highly-burnished surfaces, vibrant colors, and similar facial expressions. The female has attenuated conical legs and rests upon a pair of tabs protruding from her base. She has a wide torso and prominent breasts, curved arms, and an elegant necklace and pectoral painted in white slip atop a red ground, all while balancing a spouted olla atop her finely-incised coiffure. The male sits atop a single conical protrusion with two attenuated legs and wields a striped club in front of ornate barrel armor. He wears a brimmed, pronged helmet atop his minimalist visage, and a large nose ring hangs in front of a red-and-white-slip face. Circular eyes, pursed mouths, lobed ears, lengthy noses, and slender cheeks define each figure’s expressive countenance, evoking a personalized presentation characteristic of ancient Western Mexico! Size of largest (female): 6.5" W x 11.875" H (16.5 cm x 30.2 cm).
West Mexican shaft tomb figures like these examples derive their names from the central architectural feature that we know of from this culture. These people would build generally rectangular vertical shafts down from the ground level down to narrow horizontal tunnels that led to one or more vaulted or rounded burial chambers. The geomorphology in the area means that these chambers are dug out of "tepetate," a type of volcanic tuff material which give the chambers a rough-edged look. Although the dimensions of the chambers vary considerably - some only large enough to hold a single burial and its offerings, others seem designed to hold entire lineages - the placement of burial goods like this hollow figure was very similar. Grouped with other hollow figures, and alongside clay bowls, and boxes, they were positioned around the body (or bodies), near the skull.
Unfortunately, we lack the information we would need to understand what these figures were made for - Do they represent everyday people, even individuals? Are they religious? Were they created to mediate between the living and the dead? Whatever their purpose, today they are beautiful artwork and reminders of the mysterious past.
For a similar example of the male warrior figure, please see The Museum of Fine Arts, Houston, accession number 86.506: https://www.mfah.org/art/detail/10324?returnUrl=%2Fart%2Fsearch%3Fculture%3DNayarit
Provenance: private Hawaii, USA collection; ex-private T. Misenhimer collection, Hollywood, California, USA, famous Hollywood film producer
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#133798
Condition
Female has repair to olla rim, reattached head and legs, restoration to nose and both posterior tabs, with small nicks to feet, head, olla, and legs. Male has restoration to nose, helmet prongs, large portion of head, lower body, right leg, and club, with repairs to left leg and posterior cone, and small nicks to armor, head, legs, body, and helmet. Both figures have age-commensurate surface wear and abrasions, fading to pigmentation, and minor discoloration. Light earthen deposits throughout.