**Originally Listed At $900**
Pre-Columbian, West Mexico, Nayarit, Chinesco, Type B, Protoclassic Period, ca. 100 BCE to 250 CE. A wonderful example of a hand-built pottery Chinesco Type B figural vessel resting atop legs folded beneath thick thighs. Highly burnished and decorated with cream pigment atop a brick-red ground, the figure presents with a painted, stippled waist band while holding sinuous arms atop the relatively flat abdomen. A pair of petite, perky breasts protrude from just beneath the shoulders which are themselves dramatically hunched, and the thick neck tapers slightly to form the enlarged, heart-shaped head. The countenance is comprised of raised, coffee-bean eyes, a petite nose adorned with a nose ring, a narrow mouth, and perky ears, all beneath a peaked, incised coiffure with an openwork spout opening. Size: 6.5" W x 9.3" H (16.5 cm x 23.6 cm)
Provenance: private Healy collection, Studio City, California, USA, acquired May 2020; ex-Arte Primitivo, New York, New York, USA (May 29, 2020, lot 86); ex-collection of Richard Gregory (financial analyst for Hearst Magazines), 1980s, to current owner by inheritance
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance),
we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#166552
Condition
Professionally repaired and restored from multiple pieces, with restoration across head, body, and base, and resurfacing with overpainting along new material and break lines that is nearly invisible. Abrasions and fading to areas of original pigment, nicks to face and base, and light encrustations within interior cavity. Nice remains of original pigment throughout. Old inventory labels beneath base.