Pre-Columbian, southern Mexico and northern Central America, Mayan Territories, Late Classic, ca. 550 to 900 CE. A distinctive, flat-bottomed plate with flared sides and a central motif in tondo of a stalking jaguar, drilled through with a "kill hole". The jaguar claws, especially on the visible front paw, are emphasized, as are the teeth, giving an impression of power and fierceness. Around this central motif is a ring of glyphs spaced out with bands of deep, earthy red. These glyphs are repetitive and may by the name of the owner of the bowl or the one who commissioned it. Size: 13.95" W x 2.45" H (35.4 cm x 6.2 cm)
The form of the jaguar was revered throughout the Pre-Columbian New World as the mightiest wild feline and was used as a symbol of power and kingship. In Classic Maya art, the jaguar is associated with lordly might and as an avatar for the gods. Many rulers during this time took jaguar names: Shield-Jaguar and Bird-Jaguar, for example. One of the Hero Twins described in the Quiche book Popol Voh, the most famous Maya text, is named Xbalanque, which is almost certainly derived from the word for jaguar, "balam", and that twin is shown in art with jaguar pelt markings on his face and body.
Provenance: private Southern California, USA collection, acquired in the 1970s to mid-1980s
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#140757
Condition
With two stable cracks on the base, otherwise in very good condition, with nice remaining pigment. "Kill hole" drilled through center. Wonderful root marks and light deposits.