Central Africa, Democratic Republic of the Congo, Yombe or Vili peoples, ca. late 19th to early 20th century CE. A lovely hand-carved wooden power figure known as an "nkisi nkondi" (literally translated as "spirit hunter"), carved in the likeness of a human being which symbolizes its purpose in being an arbiter for settling disputes between individuals. The figure stands nude with broad feet upon an integral octagonal plinth, has a forward-leaning pose with a waist wrapped in a woven cord and cinched with a shell bead, and has rounded shoulders above the lightly-rounded chest which is pierced with a quartet of small iron nails. The face is exceptionally well-carved with pouty lips with a recessed philtrum, tapering cheeks, a slender nose with flared nostrils, cupped ears, and ovoid eyes inlaid with small clear glass fragments. The tall brow traces upwards to a bound coiffure incised with intricate linear motifs, and the entire figure is covered in lustrous coffee-hued patina. Size: 2.75" W x 8.5" H (7 cm x 21.6 cm); 11.75" H (29.8 cm) on included custom stand.
Power figures like this have traditionally been used during judicial procedures of many Kongolese peoples including the Yombe and Vili. In addition to settling legal disputes, nkisi nkondi have traditionally been used to protect a village, demonstrate innocence or guilt, heal the ill, and put an end to disasters. The types of nails or blades used reflects the kind of agreement made or the severity of the offense.
This particular example is very dramatic. The visage is quite expressive, peering out from glassy eyes which represent the "other world" where spirits of the deceased reside and a closed mouth, suggesting that it will never reveal the secrets of those it has helped. Said spirits are thought to peer through the eyes and identify enemies and guilty parties, hence the name "spirit hunter."
For a stylistically-similar example from the Vili, please see: Bacquart, Jean-Baptiste. "The Tribal Arts of Africa: Surveying Africa's Artistic Geography." Thames & Hudson, New York, 2000, pp. 128-129, fig. 8.
Another stylistically-similar example without iron nails hammered for EUR 11,250 ($12,592.27) at Christie's, Paris "Art Africain et Oceanien" auction (sale 1053, December 13, 2011, lot 301): https://www.christies.com/lotfinder/sculptures-statues-figures/statuette-vili-nkisi-vili-figure-nkisi-5520249-details.aspx?from=searchresults&intObjectID=5520249&sid=d2d42fae-fd28-423e-8cd2-490bb430c1ea
Provenance: private Huntington Valley, Pennsylvania, USA collection; ex-private San Francisco, California, USA collection; ex-David Blackhurst collection; ex-Cornette de Saint Cyr auction, Paris, France; ex-private old French collection
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#144554
Condition
Small repairs to one foot and one eye brow, with small chips along break lines. Minor losses to forehead, area around eyes, and neck, oxidation to iron nails, with abrasions to body, head, and limbs, light clouding to glass eye panels, and desiccation to woven belt. Light earthen deposits and fabulous patina throughout.