Roman, Imperial Period, ca. 1st to 2nd century CE. An exquisite cast bronze oil lamp with a pear-shaped body leading to a curvaceous spout as well as an impressive theater mask handle terminal with realistically rendered facial features, a coiffure featuring curled bangs with long ringlets falling to either side of the chin, and a pronounced helmet or diadem atop. The fill hole presents an intriguing form with a clover-shaped head over a pointed extension. The sill is artistically rendered as is the seamless bevel surrounding the recessed top of the vessel. All sits upon a sturdy concave base marked by two concentric circles. Oil lamps such as this were filled with olive oil, had a wick placed inside the spout, and were used to light homes, shops, holy places, and many other locations throughout the Roman world. Oil lamps were certainly among the most ubiquitous objects in antiquity; however, finely crafted examples like this one were more unusual. Enveloped in a sage-hued patina, this is a truly exceptional example from the Roman Empire! Size: 8.375" L x 5.125" H (21.3 cm x 13 cm)
As in Greece, masks played an important role in Roman theatre. An actor's entire head and hair would be covered by a large mask of simple design, made from linen or cork, with holes for the mouth and eyes. These masks allowed audience members seated in all areas of the theatre to understand what was happening, while also amplifying the actor's voice. The Pompeiian mosaic from the House of the Tragic Poet (now in the Naples National Archaeological Museum) shows several examples of these masks including one actor wearing an example pushed up on his head. Mask motifs on decorative art as well as utilitarian objects speak to the power and popularity of Roman theatre.
Despite the prevalence of terracotta lamps, bronze oil lamps are among some of the rarest artifacts to come from the Roman Empire. Their scarcity, however, is a reminder of how everyday life would have been for the people who used them. Bronze examples like this were only affordable to upper class households due to the inherent cost and time associated with the processing, refinement, and ultimately casting of bronze. This particular example is much finer than the average, with its meticulous attention to detail and sturdy composition, and was probably created for and belonged to a member of the Roman elite who would have passed it down as a family heirloom.
Provenance: private East Coast, USA collection; ex-William Froelich collection, New York, USA, acquired in the 1970s
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#138950
Condition
Minor wear to edges and tiny casting flaw on underside of neck, but generally excellent with stunning verdant green patina that has developed over the ages. Old collection labels on handle and base.