Pre-Columbian, southern Mexico, Guerrero region, Mezcala culture, ca. 400 to 100 BCE. A huge example of an axe god figure of a Type M-22 variant presenting characteristically abstract anthropomorphic characteristics, hand-carved from coarse grey-hued stone with faint beige and dark-grey veining. The stylized figure stands with delineated, string-cut legs, holds both arms atop the waist, has a lightly rounded chest with angular shoulders, and a broad neck that supports the bulbous head. The minimalist visage exhibits string-cut grooves denoting the eyes, brows, nasolabial folds, ears, and mouth, and the rounded forehead bulges out from the top. Some of the grooves on the brows, ears, body, and legs bear encrusted traces of red-orange pigment that suggests this figure was at one time painted with vibrant pigmentation. Size: 5.75" W x 12.7" H (14.6 cm x 32.3 cm); 13" H (33 cm) on included custom stand.
This particular Mezcala axe god exhibits features characteristic of M-22/M-24 Mezcala figures. The Mezcala style underwent a gradual evolutionary process, and M-22/M-24 were among the most advanced of the Mezcala types. The Mezcala sculptors brilliantly used string-saw technology to differentiate facial features and limbs. The ancient artisans of this region were particularly adept at reducing the human body to eloquent, minimalist forms via this string cut technique. The result ironically appeals to a modernist taste for minimalism. Mezcala sculptural works are equally appealing for the inherent beauty of the stone selected by the ancients.
For a couple of stylistically similar examples of the M-22 type, please see: Gay, Carlo and Frances Pratt. "Mezcala: Ancient Stone Sculpture from Guerrero Mexico." Balsas Publications, Geneva, 1992, p. 89, plate 74 and p. 91, plate 76.
Provenance: Howard Rose Gallery, New York, USA; ex-private Florida, USA collection; ex-Barry Kernerman collection, Toronto, Ontario, Canada; ex-Samuel Dubiner collection, Tel Aviv, Israel, acquired in the 1960s
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#153076
Condition
Minor nicks and abrasions to legs, arms, body, and head, with light encrustations, softening to some finer details, and chipping and fading to original pigmentation, otherwise intact and excellent. Light earthen deposits and traces of original pigment throughout.