Central Asia, Pakistan and Afghanistan, Gandharan Empire, ca. 200 BCE to 100 CE. A long carved relief stone panel, made of a dark schist whose surface has become glossy in places from age. Ancient artisans carved it to decorate the walls of a temple or palace. It depicts a fabulous scene of seated Buddhas, attendants, and Classically-inspired architectural features. This is one of those ornate carvings where every corner has something new to look at, including a graceful heron perched atop a sloping roof, a Corinthian column, and a thatched roof, as well as eleven unique attendants, each with their own clothing, expressions, and naturalistic poses. Size: 23.75" W x 9.5" H (60.3 cm x 24.1 cm); 11.7" H (29.7 cm) on included custom stand.
Robert Thurman has written, "Buddha images are like Buddhas themselves in a very real sense - as art emanation bodies - because they have the power to transform." The large Buddha on the left wears draped robes and has his hands positioned in the Bhumisparsha mudra, with his right hand over the right knee reaching towards the ground and the palm inward and touching the lotus throne. His left hand lies in his lap with the palm upright. This mudra represents the moment of his awakening, as he defeated the demon Mara, and claimed the earth as his witness to his enlightenment. The other Buddha is at the right end, projecting peace in the Dhyana Mudra. This is a gesture of meditation, with the hands placed in the lap, right hand on left, with fingers full stretched out and palms facing upwards. The Buddha's face is serene, with a naturalistic and warm expression; he wears a skirt and has a crown topped by a detailed ushnisha.
The Gandharan Empire made itself wealthy in part by controlling lucrative trade along the mountain passes between China in the East and the Near East and Mediterranean in the West; a great deal of this wealth went into local patronage of artisans and art. In the first century CE, Buddhism became fashionable amongst Gandharan elites, and the art produced at this time depicting the Buddha are some of the most striking Buddhist images from the past.
Provenance: private New Jersey, USA collection acquired prior some time between 1990-2000 from a high end dealer; the piece entered the USA in the 1950s and was in storage for decades
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#137816
Condition
The panel is a fragment from a larger sculpture, with losses to the peripheries and light deposits, mainly in the lower profile areas. Many of the figures present are in great condition with well preserved details.