West Africa, Mali, Bamana (also Bambara), ca. early 20th century CE. A fantastic example of a Chiwara (also Chi Wara, Ci Wara) headdress depicting a tall antelope standing with attenuated legs atop an integral rectangular plinth. The zoomorphic creature features a slender body with an upturned tail, a craned neck, and curving rows filled with zigzagging bars all stamped with dense, repeating triangular motifs. The elongated ungulate face is lined with red felt and copper panels adorned with repousse stippling, and a majestic pair of spiraling horns rise above the head and terminate with slightly curved tips. The carved wooden antelope is secured to a domed rattan hat via strands of jute. A fascinating headdress from the Bamana peoples! Size: 7" W x 39.5" H (17.8 cm x 100.3 cm)
Often described as an antelope, the Chi Wara is actually a composite animal – part antelope, part aardvark, and part pangolin. All of these animals are creatures that dig up the earth; while antelopes carve the ground with their hooves, the aardvark and pangolin use their claws to excavate termite mounds. This communion with the earth makes them ideal components of the Chi Wara, the supernatural being believed to have taught the Bamana people how to farm.
Historically, such masks were worn by male and female pairs in a dance performance that praised skilled farmers. The creator of this particular mask emphasized the elongated body of a roan antelope; the vertical horns resemble those of both the roan and oryx antelopes and are also said to resemble millet stalks. The body, with its big ears and short legs, suggests the aardvark, while the incised surfaces suggest the scales of the pangolin. The dancer for whom such masks are intended, traditionally wears raffia stalks that symbolize flowing water as well as a fruitful harvest. The zig-zag motifs reference the sun's movement across the sky. A bold and breathtaking mask that demonstrates a high level of skill with its expert carving and overall beautiful composition.
Provenance: private New York, New York, USA collection; ex-Thomas McNemar collection, New York, USA
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#163561
Condition
Repairs to tail and back of integral plinth, with some loosening to proper right ear, with adhesive residue along break lines. Fraying and loosening to some jute cords atop rattan hat, with slight bending to overall form of rattan hat. Wearable as shown. Great patina throughout.