Southeast Asia, northwestern Cambodia, ca. 18th century CE. A massive, skillfully carved, teak wood seated Buddha, his body covered in dark lacquer with gilt paint visible along his torso, cape, face, and ushnisha. His serene face gazes down at the viewer, his large, heavy eyelids almost completely closed in the classic Khmer style that persisted into the 18th century. He has hair with a prominent bun and, atop it, a pointed ushnisha, symbol of his enlightenment. His ears are large, with long, stretched earlobes, a reminder of his former life as the opulent Prince Siddhartha. He wears a sash diagonally across his torso and a cape, the back of which is carved and visible behind one shoulder and behind his legs. He is seated in a style known as "European", as if on a chair rather than with his legs crossed. This style entered Southeast Asia with European colonialism and is rare to see. His feet rest on a diminutive round pedestal without decoration. Size: 26" L x 18" W x 63" H (66 cm x 45.7 cm x 160 cm); 75" H (190.5 cm) on included custom stand.
The Buddha's hands are raised in a mudra that is particular to Southeast Asian Buddhism: "Pacifying the Ocean" or "Calming the Ocean", a variant of the Abhaya Mudra, the gesture of fearlessness, representing protection, peace, and dispelling fear. Here, his palms face outward, held chest high, with his forefinger and thumb touching in an additional reminder of peace. This gesture refers to an incident when Buddha stopped a flood. In Buddhist lore, he was traveling and entered a village that contained three fire-worshipping hermits. He requested a place to stay for the night and one of the hermits, Kasyapa, gave him a hut on the banks of a nearby river. Overnight, the river began to rise, threatening the hut. Buddha stopped the river's rise before the hermits and their followers, who instantly became his followers instead.
This graceful Buddha sculpture would have once adorned a temple or stupa; the European style of the legs indicates that it would have had an ornately carved throne. Imagine stepping from bright daylight into a darkened temple, seeing it surrounded by offerings of flowers and fruit, the gleaming focal point of its place of worship.
Provenance: private Boulder, Colorado, USA collection, acquired at Indochine Gallery, Boulder, Colorado, USA
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#148129
Condition
Expertly restored to appear fully intact. Fine craquelure on surface, with much of the original pigment remaining. Gilt is worn but still present in many areas. Light wear commensurate with age.