Europe, Italy, Baroque period, ca. 17th century CE. A large marble bust of a female figure draped around the shoulders in an assymetric fashion so as to seductively reveal more of her left shoulder and chest. Perhaps this bust depicts Clytie (also Clytia), a lovely water nymph famous for her unrequited love of Helios, the god of the sun. Depicted in a sensuous state, as if she is about to disrobe, we see a mournful Clytie, still beautiful despite her shameful attempts to win Helios back from his new love Leucothoe (see more on this below). Her visage is comprised of large doe-shaped eyes with generous lids and incised pupils, elegantly arched brows above, delicate facial contours, and traces of her dainty nose and full lips, all framed by finely delineated thick, wavy locks. Size: 23.5" W x 29.375" H (59.7 cm x 74.6 cm); 32.5" H (82.6 cm) on included custom stand.
The story of Clytie and Helios is colorful to say the least. Helios deserted Clytie for Leucothoe. Driven to win Helios back, Clytie told Leucothoe's father Orchamus about the affair, and Orchamus had Leucothoe put to death. Unfortunately Clytie's attempts to win Helios back only angered him. Resigned, she removed her clothing, denied herself food and drink, and lay naked on the rocks for nine days, staring at the Helios - the sun - to demonstrate her mournful state.
Please note: The suggestion of dynamic movement as well as the emotional aspect of this piece aligns with the Baroque period. This said, an outside expert has suggested that it may in fact be a provincial Roman work.
Provenance: private J.H. collection, Beaverton, Oregon, USA
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#149616
Condition
Losses to nose, lips, chin, and high-pointed areas of the cheeks, coiffure, and drapery. Small areas of blue and black pigment on verso. Earthen/mineral deposits grace the surface as well.