Pre-Columbian, Ecuador, Jamacoaque (Jama Coaque) culture, ca. 500 CE. A fabulous mold-formed pottery standing female ocarina figure wearing a knee-length skirt around tapering hips. She presents with arms and open hands extended to her sides, rounded shoulders, and an elaborate beaded necklace with a columnar pendant hanging between perky breasts. The stylized visage is composed of semicircular eyes with incised lids, a prominent nose with a huge nose ring above petite lips, curved ears bedecked with several earrings, and a puffy brow, all beneath an enormous headdress with lateral panels. The beige-slipped ocarina has 2 tone holes on the front and back of the legs and a small blow hole atop the head, though the instrument produces no sound when played. Size: 5.875" W x 10.875" H (14.9 cm x 27.6 cm); 11.25" H (28.6 cm) on included custom stand.
Cf. "Pre-Columbian Art of South America" by Alan Lapiner, "EQUATEUR LA TERRE ET L'OR, L'exhibition," Paris, 1989, no. 32., and "Amerindian Signs, 5000 Years of Pre-Columbian Art in Ecuador" by Valdez for similar examples of this type.
Provenance: private New York, New York, USA collection; ex-private lifetime collection of Dr. Saul Tuttman and Dr. Gregory Siskind, New York, New York, USA
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#143589
Condition
Area of repair to right leg with light restoration and resurfacing over break lines. Loss to one finder, small nicks and abrasions to head, body, and legs, with fading to original pigmentation, and light encrustations. Nice earthen deposits throughout. Ocarina does not produce sounds when played.