Pre-Columbian, Peru, Paracas culture, ca. 500 to 100 BCE. Wow! A huge olla, carefully hand-modeled from terracotta, featuring the three-dimensional head of a cormorant on its shoulder. Clenched in its beak, incised and painted onto the broad body of the vessel, is a fish with an expressionless face despite its predicament. The bird's massive spread wings are also incised and painted around the shoulder, with a tab-like projecting tail feather on the opposite side of the vessel from the bird's head. Both bird and fish have round, red eyes, creamy brown lower bodies, and very dark red upper bodies. A delicate mouth with short, projecting spout and slightly rolled rim completes the vessel, which stands on a diminutive, flat base that was probably made to be pressed into sandy earth to steady it. Size: 16" W x 16" H (40.6 cm x 40.6 cm)
On pottery, textiles, and other materials, the Paracas people depicted three types of animals over and over again: felines, serpents, and birds. Their bird depictions are varied and rich, probably reflecting the many birds native to their homeland on the southern coast of Peru. Paracas artists emphasized the more fearsome aspects of all the animals they depicted, as here the long, sharp beak takes precedence. Birds often accompany trophy head art, and there are "bird impersonators", human figures with bird aspects, who often appear on Paracas textiles, suggesting a tradition of performance where humans were dressed as birds. This oftentimes involved the use of hallucinogenic drugs to enter a spiritual state where shamans could become one with birds and other animals.
Provenance: ex-private Hans Juergen Westermann collection, Germany, collected from 1950s to 1960s
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#153296
Condition
Expertly repaired and restored from multiple pieces; this is well done and difficult to discern. Most of the original pigment remains with light deposits and firing marks visible on the surface. Excellent form and detail.