Pre-Columbian, Central Mexico, Guerrero region, Chontal, Late Preclassic period, ca. 300 to 100 BCE. A gorgeous face mask of an oblong form, hand-carved from an attractive greenstone of deep grey-green hues with wonderful creamy white veining patterns. The minimalist visage features a pair of inset ovoid eyes holding grey shell inlays beneath angled brows, lengthy, bar-shaped ears pierced with annular drill holes for suspending ornaments, a rectangular nose, and a projecting mouth held open in an "O" shape. The mouth is adorned with a horizontal striation at either side and vertical striation at its top, likely to represent ceremonial scarification. Chontal stone sculpture deviates from the earlier Guerrero-region sculptural style by being more naturalistic rather than highly abstracted geometric human figures made by the Mezcala, and that development is seen here. The name "Chontal" probably comes from the Aztec, who called the people of this region "Chontales." Size: 5.1" W x 6.4" H (13 cm x 16.3 cm); 8.3" H (21.1 cm) on included custom stand.
The Guerrero region of modern-day southwestern Mexico was the center of the Mezcala and Chontal stone carving traditions. While Mezcala artists are known for their abstract, geometric style, the Chontal sculptors imbued their artworks with more naturalism. Although their stonework stems from the Preclassic period, ca. 300 to 100 BCE, later Mesoamerican peoples clearly cherished Chontal portable sculptures as heirlooms. Chontal creations have been associated with Templo Mayor, the principal temple of the 15th century Aztecs of Tenochtitlan (Mexico City).
What's more, legendary 20th century modernists such as Diego Rivera, Frida Kahlo, and Miguel Covarrubias appreciated the minimalist qualities of Chontal art. Covarrubias went so far as to compare it to the Cycladic style of ancient Greece. Scholars believe that such masks as this example were tied to funerary bundles of the noble elite; however, smaller scale masks suggest they may have been attached to clothing.
This piece has been searched against the Art Loss Register database and has been cleared. The Art Loss Register maintains the world's largest database of stolen art, collectibles, and antiques.
Provenance: private Los Angeles, California, USA collection, acquired in the 1960s
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#167936
Condition
A few stable hairline surface fissures across front and verso, as well as 1 larger fissure with minor loss to upper right corner. Otherwise, intact and excellent with impressive remaining detail.