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THBGreek Apulian Red-Figure Pelike w/ Erote and Lady
Lot 33a
About Seller
Artemis Gallery
686 S Taylor Ave, Ste 106
Louisville, CO 80027
United States
Selling antiquities, ancient and ethnographic art online since 1993, Artemis Gallery specializes in Classical Antiquities (Egyptian, Greek, Roman, Near Eastern), Asian, Pre-Columbian, African / Tribal / Oceanographic art. Our extensive inventory includes pottery, stone, metal, wood, glass and textil...Read more
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Live Auction in Progress ... Currently on Lot Estimate:
$9,000 - $13,500
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About Auction
Live
By Artemis Gallery
Jun 29, 2023
Set Reminder
2023-06-29 10:00:00
2023-06-29 10:00:00
America/New_York
Bidsquare
Bidsquare : Exceptional Antiquities, Ethnographic and Fine Art
https://www.bidsquare.com/auctions/artemis-gallery/exceptional-antiquities-ethnographic-and-fine-art-13031
Artemis Gallery info@artemisgallery.com
Artemis Gallery info@artemisgallery.com
View Full Catalog (339)
- Lot Description
Magna Graecia, South Italy, Apulian, ca. 4th century BCE. A gorgeous red-figure pelike meticulously hand-painted with the image of a nude erote on one side and a female, perhaps a goddess, on the other. Striding left, the nude deity holds out a patera before him as his wings span behind him, his coiffure pulled up in a feminine kekryphalos, suggesting this may be the erote Hermaphroditus who was both male and female. On the alternate side, the female figure also strides left, draped in a peplos as she holds up a tympanum in one hand and a fan in the other. The field of both is adorned with floral and vegetal motifs, while a band of egg-and-dart pattern embellishes the area above and a row of crested wave designs is below. Elaborate palmettes lie between the 2 figures, just beneath each tubular handle. Size: 6.7" Diameter x 10" H (17 cm x 25.4 cm)
Perhaps the most exciting innovation in Greek vase painting was the red-figure technique, invented in Athens around 525 BCE and beloved by other artists of Magna Graecia. The red-figure technique allowed for much greater flexibility as opposed to the black-figure technique, for now the artist could use a soft, pliable brush rather than a rigid metal graver to delineate interior details, play with the thickness of the lines, as well as build up or dilute glazes to create chromatic effects. The painter would create figures by outlining them in the natural red of the vase, and then enrich these figural forms with black lines to suggest volume, at times perspectival depth, and movement, bringing those silhouettes and their environs to life.
Provenance: private New York, New York, USA collection; ex-G. Ford collection, Brooklyn, New York, USA, 2020s; ex-private Massachusetts, USA collection
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
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#179602Some chipping to side and along peripheries of foot. Some nicks and abrasions, but otherwise intact and excellent with impressive remaining pigment and detail. Encrustations in areas. Crested wave motif painted on underside of foot.Condition
- Shipping Info
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