Greek Apulian Lekythos w/ Swan, Pagenstecher Class

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CLEARANCE Antiquities | Ethnographic Art

By Artemis Gallery

Mar 25, 2021

Set Reminder 2021-03-25 10:00:00 2021-03-25 10:00:00 America/New_York Bidsquare Bidsquare : CLEARANCE Antiquities | Ethnographic Art https://www.bidsquare.com/auctions/artemis-gallery/clearance-antiquities-ethnographic-art-6663
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• Lot Description
  **Originally Listed At $1500**
  
  Greece, Magna Graecia, southern Italy, Apulia, Pagenstecher Class, ca. 340 to 325 BCE. A charming lekythos (oil pouring vessel), with an oblong body that narrows to a cylindrical neck and flares to a flat rim, a strap handle joining neck to shoulder, all upon a discoid foot. A single large swan or goose standing in profile is rendered via the black-figure technique on the vessel body, with added fugitive white pigment outlining its open eye, contouring its form, and highlighting its feathers. A stylized palmette graces the area below the handle while tendrils and a rosette embellish the field. Size: 3.9" H (9.9 cm)
  
  The swan played a complex role in Greek mythology - the attribute of Aphrodite and Apollo, said to sing a song of unearthly beauty as it dies, as well as the form assumed by Zeus to ravish Leda, mother of Helen of Troy. The latter, based on the writings of Ovid and Fulgentius, was well known in the European Middle Ages, and inspired artists, including Michelangelo, during the Italian Renaissance. However, the ancient Greek artisan who made this piece was probably depicting the swan as a general symbol of passion and beauty rather than a direct reference to the Zeus and Leda story. That subject gained its popularity later, because in Christian Europe it was more acceptable to depict women being intimate with a swan than with a man, while in ancient Greece there were no such restrictions.
  
  According to the British Museum, the Pagenstecher Class referred to: "A group of 4th century BC vases (mostly lekythoi), collected by R. Pagenstecher early in the twentieth century and called by his name. These vases are unexpectedly decorated with the black-figure technique at a time when red-figure was the dominant technique in South Italy. The black-figure renaissance apparently took place in a number of centres, as most of the lekythoi were found in Campania and Sicily, while a few were also found in Paestum and Apulia. Sophisticated in style and relatively small in scale, most were decorated with only single figures, or a head or a bird."
  
  Provenance: ex Estate of Eldert Bontekoe, Pegasi Numismatics, Ann Arbor, Michigan USA acquired before 2000
  
  All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
  
  A Certificate of Authenticity will accompany all winning bids.
  
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  #158860

  Condition

  Spout reattached at the midline of the neck with some adhesive visible at the break line. Chips to rim and base as shown. Linear scratch to clay body along tendril beside the palmette below the handle. Normal surface wear commensurate with age, but the black-figure imagery is vivid with nice remains of fugitive white pigmentation.
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