Central Asia, Pakistan and Afghanistan, Gandharan Empire, ca. 200 BCE to 400 CE. A hand carved stone bust covered in stucco of a man on an integral plinth, looking forward with a serene expression. The man is adorned by a thick banded necklace with a central floral pendant, and his earlobes are stretched from heavy earrings, but none are present. His head tilts forward slightly, the forehead furrowed, arching eyebrows above large almond shaped eyes, a small aquiline nose with closed lips below a fabulous mustache. These details create an expression of calm contemplation, a handsome man of status, perhaps a depiction of prince Siddhartha as he gains enlightenment and transforms into Buddha. His head is topped with a conical coiled coiffure to indicate an ushnisha or topknot. This bust was painted at one time, and small traces of yellow pigment remain around the ears and ushnisha. A handsome bust that perhaps adorned a temple or monastery. Size: 3.75" L x 4" W x 13.5" H (9.5 cm x 10.2 cm x 34.3 cm)
The earliest findings of Indian stucco art have been discovered in the Gandharan region, northern Pakistan and Afghanistan, and it was eventually introduced into the southeastern parts of the subcontinent. Stucco art is mainly a mixture of lime, sand and mud, but may also contained gypsum. Coating a carved limestone in stucco allowed the artisan to create fine details, such as the coils of hair. The top of the Buddha’s head was said to have either a fleshy perturbance, with curling hair, or a fiery flame that pointed towards the sun to indicate his divinity. The topknot hairstyle came to represent enlightenment, and the stretched earlobes indicated a wealthy man that had cast away his materialistic possessions and jewelry. Buddhism became fashionable amongst Gandharan elites, and the art produced at this time depicting the Buddha are some of the most striking Buddhist images from the past. Their artistic tradition also reflects the conquest of Alexander the Great and the introduction of styles from all sides, blended into a uniquely Gandharan tradition, which this Buddha exemplifies.
Provenance: ex-Barakat Gallery, Beverly Hills, California, USA, acquired prior to 2000
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#159525
Condition
Stucco is chipping with losses to high relief peripheries. Surface wear, nicks, chips and abrasions commensurate with age. Old inventory label near the base. Details are clearly defined and areas of mineral deposits. Nice traces of painted pigments!