Pre-Columbian, Hispaniola, Greater Antilles Islands, Taino / Arawak Indians, ca. 1000 to 1500 CE. Among the only items specifically referenced by Spanish chroniclers of the 15th century, a quintessential example of a three-pointed stone (known as a "trigonolith" in English and "trigonolito" in Spanish) with a tall conical point composing the central body, a Zemi face on the front point, and a pair of retracted legs on the verso. The Zemi face is characteristically abstract and presents with wide ovoid eyes, a prominent nose with flared nostrils, thin lips parted in the center, and a circular emblem centered on the forehead. The retracted legs on the verso seem to show the Zemi in a recumbent or crouching position, however scholars posit that their curled portrayal resemble those of frogs. A intricate and fabulous example from ancient Hispaniola! Size: 7.75" L x 3.25" W x 6.4" H (19.7 cm x 8.3 cm x 16.3 cm).
Taino art is comprised of many cult objects associated with the worship of "zemis". The term zemi refers to deities, ancestors, or earth spirits. The Zemi (or Cemi) stone, with its characteristic three cardinal points, is a fundamental symbol in the Taino religion. Tainos traditionally name the three points "Yocahu Bagua Maorocoti" -- another word for the Creator, Yaya. Zemis like this example are believed to be inhabited by powerful spirits. The uppermost point represents the top of this sacred mountain peak, in the turey (sky) of the four directions, where Yaya - the Creator, whose name means that which has neither beginning nor end and which has no male ancestor or creator - resides. The 'chin' point represents Coabey, the underworld or place of the dead. Here Hupia, the spirit of the dead, resides, and the face of Guayaba, the Chief of Coabey, is represented. Finally, the opposite point represents the land of the living where Goiz, the spirit of living people, resides.
For a stylistically-similar example, please see The Centro Leon Museo de Arte, Ecologia e Historia: https://en.centroleon.org.do/cl/colecciones-antropologicas/4315-trigonolito
Provenance: private Hart collection, Houston, Texas, USA; exhibited at the Museum of Native American History (November 2016 - March 2019); ex-private R. Harrison collection; ex-Wilfred Belmar collection, acquired in the 1930s; vetted by Dr. William F. Keegan (Professor of Caribbean studies, University of Florida); papered by Dr. John F. Scott, 2019 Professor Emeritus of Art History, University of Florida
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#147522
Condition
Minor nicks and abrasions to central cone, zemi face, legs, and base, with light softening to some finer details, and light encrustations within some recessed areas, otherwise intact and excellent. Light earthen deposits throughout. Old inventory number written in black ink beneath base.