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Morris Kantor (Russian-American, 1896-1974). Oil on canvas, ca. 1962. Signed on the lower right. A wonderful abstract painting by Morris Kantor that demonstrates the artist's avant-garde aesthetic. Kantor's bold colors, forms, and gestural marks create a non-objective composition with shapes that while two dimensional conjure sculptural forms and suggest movement along with the passage of time. Pink is the dominant color of this composition, and Kantor was no stranger to this lively hue which is symbolic of youth, playfulness, and good health. See a similar Kantor painting entitled "Pink Façade" (1961) at the Smithsonian American Art Museum (1976.146.74). All is set in a custom wooden frame embellished with gold pigment that complements the coloration of the painting beautifully. Size of painting: 52" L x 55" W (132.1 cm x 139.7 cm) Size of frame: 53" L x 56" W (134.6 cm x 142.2 cm)
Born in Minsk, Russia (now Belarus) Morris Kantor immigrated to the United States in 1906 when he was just a child. There is some debate as to whether he was with family or alone, but we know that he was very young, lived in New York City, and earned enough money working in the Garment District to enroll in art school by age 20. Kantor began attending the Independent School of Art in New York in 1916 and went on to teach at Cooper Union during the 1940s and the Art Students League from 1936 to 1972. Many of his students - including Robert Rauschenberg, Knox Martin, Susan Weil, and Sigmund Abeles - became quite famous in their own right.
Kantor maintained a studio in Manhattan, close to Union Square, as well as on Cape Cod in Wellfleet, Massachusetts. During the 1920s, he also worked in Paris. His arts circle included notable modernists such as the sculptor Isamu Noguchi. During the 1930s, Kantor supervised a Federal Arts Project Easel Painting Project in Rockland County, New York. The following decade he spent some summers in Monhegan, Maine, and in the 1960s his work was shown at Bertha Schaefer Gallery in New York City. Kantor's work has also been exhibited at the Smithsonian American Art Museum, the Hirshhorn Museum, the Museum of Modern Art, the Metropolitan Museum of Art, the Denver Art Museum, the Whitney Museum of American Art, and other prestigious institutions. His honors include receiving the Logan Medal of the Art Institute of Chicago and the Temple Medal of the University of Illinois. Kantor's oeuvre was vast and impressive, as he explored numerous styles ranging from realism colored by a hint of Surrealism to abstract movements including Cubism and Futurism.
This painting was exhibited at the Pennsylvania Academy of Fine Arts 157th Annual Exhibition of American Oil Painting and Sculpture - January 12 - February 25, 1962. Notice the label for this exhibition attached to one of the stretcher bars on the verso.
Provenance: Private M. C. collection, Irvine, California, USA; Ex-Morris Kantor collection
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#168229
Condition
Painting is signed by the artist on the lower right. It has a few minor scuffs, but is otherwise excellent with vibrant hues and a marvelous display of biomorphic modernism. Frame has normal age wear with minor scuffs, stains, nicks, and abrasions but is otherwise intact and its gold tone complements the painting nicely. There is an exhibition label for the Pennsylvania Academy of Fine Arts 157th Annual Exhibition of American Oil Painting and Sculpture - January 12 - February 25, 1962 - on one of the stretcher bars on the verso.