Egyptian Wood Coffin Upper Lid, ex-de Young Museum

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Fine Ancient | Asian | Ethnographic Art

By Artemis Gallery

Aug 22, 2019

Set Reminder 2019-08-22 10:00:00 2019-08-22 10:00:00 America/New_York Bidsquare Bidsquare : Fine Ancient | Asian | Ethnographic Art https://www.bidsquare.com/auctions/artemis-gallery/fine-ancient-asian-ethnographic-art-4348
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• Lot Description
  Ancient Egypt, New Kingdom, 18th to 20th Dynasty, ca. 1550 to 1069 BCE. A stunning and skillfully-carved upper section of a coffin lid depicting an anthropoid face in relief, hand-carved from finely-grained sycamore wood. The veristic male face boasts deep hollow eyes and brow lines filled with chalky-white gesso, a prominent nose with delineated nostrils, contoured cheeks flanking puffy lips, a lengthy false beard hanging from the chin, and cupped ears nestled within the rounded folds of the tripartite wig. Thick remains of linen-topped gesso are visible across the beard, face, wig, and wig folds, and traces of original brown and green pigmentation suggest this coffin lid was at one time bedecked with vivid colors. The verso is hollowed out to fit over the face of an inner coffin, and a pair of slit-form mortises show how the lid was secured to the main coffin body. The meticulous attention to detail suggests this coffin was carved for an individual of high status and importance. Size: 15" W x 20.4" H (38.1 cm x 51.8 cm).
  
  Ancient Egyptians believed it was of the utmost importance to preserve a body of the deceased, because the soul needed a place to reside after the death. Preservation of the body was done via mummification - a process involving the removal of internal organs that were placed in canopic jars, wrapping body in linen, and then embalming. Coffin lids like this example were created so that the soul could recognize the body and return to it. For this reason, such lids and the death masks beneath were made in the relative likeness of the deceased.
  
  This lid and others like it were traditionally carved from cedar. Interestingly, cedar wood was not native to Egypt. Egypt did not have verdant forests filled with tall trees, and unfortunately most of its native lumber was of relatively poor quality. Thus, they relied on importing to acquire hardwoods - ebony imported from Africa, cedar and pine from Lebanon. One fabulous obelisk inscription by Thutmose III attests to the luxury of treasured hardwoods. It reads as follows, "They brought to me the choicest products . . . consisting of cedar, juniper and of meru wood . . . all the good sweet woods of God's Land." The rarity of cedar meant that masks like this one were reserved for those who could afford them.
  
  For a stylistically-similar example with much remaining pigmentation, please see The Virtual Egyptian Museum, catalog number WOD.VL.00644: https://www.virtual-egyptian-museum.org/Collection/FullVisit/Collection.FullVisit-JFR.html?../Content/WOD.VL.00644.html&0
  
  Another stylistically-similar example, with little remaining pigmentation and of a slightly smaller size, hammered for GBP 21,150 ($28,052.41) at Christie's, London, South Kensington Antiquities auction (sale 8890, October 5, 2000, lot 168): https://www.christies.com/lotfinder/Lot/the-upper-part-of-a-large-egyptian-1894338-details.aspx
  
  Provenance: ex-Howard Rose Gallery, New York, New York, USA; ex-private Mr. & Mrs. Wayne Lewis Lesser collection, San Francisco, California, USA, acquired in August 1979 from the M. H. de Young Memorial Museum, San Francisco, California, USA - copies of letters from the de Young Museum dated 1979 will accompany this mask; ex-Micki Fermon collection, Kamloops, Inc., New York, New York, USA; purportedly found near Abu Sier, an area between the Sakkara pyramids and the Dashur pyramids
  
  All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
  
  A Certificate of Authenticity will accompany all winning bids.
  
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  #144389

  Condition

  Repair to small area of chin and beard, with small chips along break lines. Losses to areas of wig, chest, peripheries, verso, and much original gesso and pigmentation, with inactive insect damage, several stable fissures, and desiccation commensurate with age. Light earthen deposits, great traces of original gesso and pigmentation, and fine patina throughout. Mounted for display on verso.
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