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THBColleen Madamombe Stone Sculpture of Woman with Basket
Lot 145
About Seller
Artemis Gallery
686 S Taylor Ave, Ste 106
Louisville, CO 80027
United States
Selling antiquities, ancient and ethnographic art online since 1993, Artemis Gallery specializes in Classical Antiquities (Egyptian, Greek, Roman, Near Eastern), Asian, Pre-Columbian, African / Tribal / Oceanographic art. Our extensive inventory includes pottery, stone, metal, wood, glass and textil...Read more
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Live Auction in Progress ... Currently on Lot Estimate:
$1,200 - $1,800
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About Auction
Live
By Artemis Gallery
Jun 15, 2023
Set Reminder
2023-06-15 10:00:00
2023-06-15 10:00:00
America/New_York
Bidsquare
Bidsquare : VARIETY Ancient, Ethno, Native American, Fine Art
https://www.bidsquare.com/auctions/artemis-gallery/variety-ancient-ethno-native-american-fine-art-12990
Antiquities, ethnographic, native american and fine art from cultures encompassing the globe. Artemis Gallery info@artemisgallery.com
Antiquities, ethnographic, native american and fine art from cultures encompassing the globe. Artemis Gallery info@artemisgallery.com
View Full Catalog (260)
- Lot Description
Colleen Madamombe (Zimbabwe, 1964-2009). Woman with Basket. Stone sculpture, n.d. Signed on lower left side of verso. An endearing stone sculpture by celebrated second-generation Shona artist Colleen Madamombe presenting a character common to her work: a round-faced female dressed in a billowing, layered dress while holding a basket. Madamombe's work explores themes of womanhood, girlhood, pregnancy, motherhood, and the authority of the tribal matriarch. Interested in not only the emotional and spiritual side of woman's life but also the basic physical appearance and movement particular to females, Madamombe often depicts women at work, harvesting, carrying water or children, and giving birth. She portrays these aspects of womanhood with poetic clarity, revealing emotions such as pride, authority, energy, endeavor, sadness, tenderness, and humor. As is typical of her work, this sculpture is also a play in surface and texture: her smooth, polished face and hands are juxtaposed with the rough-hewn surfaces of her clothing and hair. Size: 9.5" W x 13" H (24.1 cm x 33 cm)
Madamombe's female figures quickly became a symbol of womanhood in Zimbabwe and were adopted by the Zimbabwean International Film Festival as the trophy award for all winning women entrants. She also won the award "Best Female Artist of Zimbabwe" three times. As is evident in her subject matter, Madamombe had strong feelings concerning the changing role of women in Zimbabwean society. Though opportunities for women were and are still developing, she felt they were losing their positions of traditional respect and that it remained difficult for women to pursue a career in the arts, predominantly because of an inherent lack of self-confidence as well as the idea of following one's own ambitions and pursuing a career remains foreign to many Zimbabwean women. Madamombe explained: "A lot of women are artists and just don't realize it - making pots and other things for the home, and not for sale."
Provenance: private Burbank, California, USA collection
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
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#179189A few minor nicks to face and hands, but otherwise intact and excellent with nice preservation of surface texture and form. Signed "Colleen" on lower left side of verso.Condition
- Shipping Info
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