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THBCocle Macaracas Pottery Jar w/ Abstract Creatures
About Seller
686 S Taylor Ave, Ste 106
Louisville, CO 80027
United States
Selling antiquities, ancient and ethnographic art online since 1993, Artemis Gallery specializes in Classical Antiquities (Egyptian, Greek, Roman, Near Eastern), Asian, Pre-Columbian, African / Tribal / Oceanographic art. Our extensive inventory includes pottery, stone, metal, wood, glass and textil...Read more
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About Auction
LiveNov 15, 2024
Classical antiquities and ethnographic masterpieces, with treasures from every corner of the globe. Artemis Gallery info@artemisgallery.com
View Full Catalog (221)
- Lot Description
Pre-Columbian, Central America, Panama, Gran Cocle, Macaracas type, ca. 800 to 1000 CE. A hand-built pottery jar exhibiting a heart-shaped body, a squat neck, and a thick, everted rim, all atop a squat foot. The exterior surfaces of the body are decorated with a pair of highly abstract zoomorphic creatures as well as a pair of two-headed serpent creatures with serrated crests and mouths full of sharp teeth. Size: 4.93" Diameter x 5" H (12.5 cm x 12.7 cm)
According to scholar Samuel Kirkland Lothrop, "The Gran Cocle culture is a Pre-Columbian archaeological culture that gets its name from the area from which it was based, the now present-day Cocle province of Panama. The Gran Cocle term applies to a loosely studied group of Native American sub-cultures in this region, identified by their pottery styles. The overall period spans a time from 150 B.C. to the end in the 16th century A.D. upon Spanish contact. The most ancient culture is the La Mula period from 150 B.C. to 300 A.D. The La Mula and later Monagrillo and Tonosi pottery styles are identified by their the use of three paint colors which were black, red and white (or cream). The later Cubita style saw the emergence of the use of four colors. The styles of Conte, Macaracas and Joaquín added purple to their palette and this hue ranged from grayish tones to red purple. The use of purple disappeared in the subsequent styles of Parita and El Altillo and the paint style reverted back to the use of three colors. Most notable in the artistic renderings are the overt use of geometric designs." (For more information, see Armand Labbe, "Guardians of The Life Stream: Shamans, Art and Power in Prehispanic Central Panama" - Bowers Museum of Cultural Art, University of Washington Press, 1995)
Provenance: Estate of Peter H. Tillou Collection, thence by descent. Acquired in the 1990s, collection # 272. Appraised for $1,200 by Marianne Huber in 2014.
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
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#188473Condition
Professional repair and restoration to areas of rim, with resurfacing and overpainting along break lines. Abrasions and minor pitting, otherwise in great condition. Nice preservation to zoomorphic motifs.
- Shipping Info
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All shipping is handled in-house for your convenience. Your invoice from Artemis Gallery will include shipping calculation instructions. If in doubt, please inquire BEFORE bidding for estimated shipping costs for individual items.
**Please note, we are currently unable to ship to Germany, Switzerland and Australia due to customs clearance issues. We are working to resolve this issue. If you are in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, arrange your own shipping, or we will not be able to complete your purchase.* **For shipments outside of the USA, custom / duties may apply upon entry into said country; this fee, if any, is the buyer's responsibility. Also, please be aware that Artemis Gallery will NOT falsify customs value on any international shipments - what you pay is what we declare, no exceptions. If you have questions about this, please inquire BEFORE bidding**
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