**Originally Listed At $3500**
East Asia, China, Tang Dynasty, ca. 618 to 907 CE. A charming, hollow, mold-made ceramic camel, standing proud with a long curved neck and a pair of pointed humps. Head thrust back in a noble yet realistic stance, the ancient animal presents large eyes and an elongated shout with delineated nostrils and a straight mouth. His naturalistic body features knobby legs, a swollen belly, and a sinuous tail that sways to one side as thought swatting away a fly. The surface is adorned in vibrant hues of tan and sienna, while the integral plinth remains white. This camel was made to be a tomb figure, known as mingqi. Tang dynasty elites had underground tombs full of pottery figures that were made to care for their every need in the afterlife. Size: 12.3" L x 5.6" W x 17.5" H (31.2 cm x 14.2 cm x 44.4 cm)
The art of the Tang Dynasty is truly international, reflecting a world in which the Chinese court spread its influence through military conquest and trade to Central Asia, India, Persia, Africa, and southeastern Asia. In this prosperous period, Tang elites imitated the style of the Persians, wearing high boots, short tunics, and leopard skin hats. Music, sport, and dance all emulated Central Asian styles and made them their own.
Nothing is more representative of this cultural milieu than the figure of the Bactrian camel who, with his saddle bags, carried so many of these goods and, by extension, practices east and west along the Silk Road. Travelling west from the Tang capital, Chang'an, the Silk Road passed through Taklamakan Desert. The Bactrian camel was vital to this transport because of its abilities -- to go without water for a week, to travel 30 miles a day, and to carry hundreds of pounds, as well as to withstand very hot and very cold temperatures.
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Provenance: private Vero Beach, Florida, USA collection, acquired in the 1970s; ex-old English collection
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#177327
Condition
Professionally repaired and restored with some areas of painting over break lines. Expected light surface wear as shown, all commensurate with age. Otherwise, piece has an excellent presentation and impressive remaining pigments.