Pre-Columbian, Central Mexico, Aztec, ca. 1325 to 1475 CE. Expertly carved basalt stone sculpture depicting a coiled Quetzalcoatl, the mythical feathered serpent, with a fabulous humanoid visage with large earspools emerging from the serpent's open mouth, replete with sharp fangs and a long forked tongue that extends down to the lower coils of its body; on the back of its body is a well-defined and rather intimidating rattler. The body is also meticulously modeled with coils in relief and a prominent snout. The skill that the ancient sculptor of this piece possessed is beyond impressive. In addition, as a depiction of Quetzalcoatl, this sculpture carries great symbolic value. Size: 6.35" W x 10.75" H (16.1 cm x 27.3 cm)
Quetzalcoatl - "Feathered Serpent" in the Nahuatl language - was the Pre-Columbian deity revered as lord of wind and sky. The earliest representations of Quetzalcoatl adorn the Temple of Quetzalcoatl in Teotihuacan, Mexico (ca. 3rd century CE) where numerous stone heads of the divine plumed snake embellish the steps of this Pre-Classic pyramid. The pioneering artist/anthropologist Miguel Covarrubias whose writings and illustrations on indigenous cultures of the ancient Americas continue to contribute to scholarly studies today stated, "Quetzalcoatl stood for all that was good in this world: peace, art, wisdom, and prosperity. Disguised as an ant, he discovered maize, the staple food of the Indians, hidden under the mountain of Substance, Tonacatepetl; he also invented the arts, the sciences, and the calendar. In fact, everything connected with wisdom and culture was attributed to Quetzalcoatl." (Miguel Covarrubias, Mexico South: The Isthmus of Tehuantepec (New York: Alfred A. Knopf, 1946), 130. Furthermore, snakes/serpents provide a fascinating element of Pre-Columbian iconography, as important symbols of power, rebirth, transition, and renewal. Since snakes shed their skin annually, thus rejuvenating themselves, the ancients of Mexico viewed them as providing hope for the possibility of change in the face of adversity.
Provenance: ex- Solomon Collection, 1960's, Hasso von Winning Report, CIRAM Tested
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#156033
Condition
Intact, with weathered surface commensurate with age including some small chips and nicks, notably one from the lower edge of one earring. Form and details are still in nice condition. Great deposits on surface.