Authorized Mourlot lithograph after a Chagall painting. Numbered 145 of edition of 750. Bears Chagall's embossed signature on lower right and ADAGP Paris, Mourlot on lower left. Printed at Atelier Mourlot, Paris. A beautiful and quite large lithograph of one of Chagall's wedding compositions, featuring the bride and groom in a central orb, surrounded by Paris at night with the Eiffel Tower at the left, an upside-down couple above it, a goat-playing violinist at the upper right, and an artist below. Size: 30.25" L x 25" W (76.8 cm x 63.5 cm); 50.25" L x 39.5" W (127.6 cm x 100.3 cm) including custom mat and gilded frame
Chagall (born Moishe Zakharovich Shagal) was truly a poet of the art world - a Russian-French artist of Belarusian Jewish origin. While many of his contemporaries were driven to pursue pure abstraction or non-objectivity, Chagall was faithful to figurative art, albeit with a Surrealist, Expressionist, Cubist, or Suprematist twist. Born in Russia, Chagall moved to France in 1910 where he became a shining star of the Ecole de Paris. As the years went on, Chagall also spent time in the United States as well as the Middle East. His identity as a Jew was very important to him, and in much of his oeuvre, Chagall imbues his modernism with Jewish traditions and imagery. Although many scholars have attempted to decode Chagall's symbolism, this has proven to be a difficult nut to crack. According to Jean-Michel Foray, director of the Marc Chagall Biblical Message Museum in Nice, "Some art historians have sought to decrypt his symbols, but thereÂ’s no consensus on what they mean. We cannot interpret them because they are simply part of his world, like figures from a dream." (https://www.smithsonianmag.com/arts-culture/the-elusive-marc-chagall-95114921/#4yF3PUQT3jbS8Axk.99)
Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as 'not the dream of one people but of all humanity'). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." Using the medium of stained glass he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opera.
Provenance: private East Coast, USA collection
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#138671
Condition
Slight tear to gallery paper on verso. Otherwise, lithograph and framing are both excellent.