Attic Red-Figure Fragment Syleus Painter, ex-Christie's

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Exceptional Antiquities, Asian, Ethnographic

By Artemis Gallery

Jun 4, 2020

Set Reminder 2020-06-04 10:00:00 2020-06-04 10:00:00 America/New_York Bidsquare Bidsquare : Exceptional Antiquities, Asian, Ethnographic https://www.bidsquare.com/auctions/artemis-gallery/exceptional-antiquities-asian-ethnographic-5185
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• Lot Description
  Ancient Greece, Athens (Attic), attributed to the Syleus Painter, ca. 480 to 470 BCE. A fragment from an Attic red-figure pelike depicting a profiled head donning a diadem with a register of floral motifs above. This piece has been attributed to the Syleus Painter. For more about the Syleus Painter, see the biographical statement from the J. Paul Getty Museum in the extended description below. Size: 2.2" W x 2.45" H (5.6 cm x 6.2 cm); 4.25" H (10.8 cm) on included custom stand.
  
  According to the J. Paul Getty Museum, "The Syleus Painter was a vase-painter who decorated pottery using the red-figure technique in Athens during the early 400s B.C. As with most vase-painters, his real name is unknown and he is identified only by the stylistic traits of his work. He is called the Syleus Painter because one of his vases, now in Copenhagen, shows the Greek hero Herakles fighting the villain Syleus. The Syleus Painter most often decorated large vases with mythological scenes.
  
  The Syleus Painter demonstrates some of the problems of identifying Greek artists by their stylistic traits alone. At the beginning of this century, the great scholar of Greek vases Sir John Beazley put together a number of stylistically related vases that he called the Syleus Sequence. Within this large group, he further distinguished four smaller stylistic groups. He attributed these four smaller groups to four different artists called the Painter of the Munich Amphora, the Gallatin Painter, the Diogenes Painter, and the Syleus Painter. Scholars now question whether these four stylistic groups each should represent the work of an individual artist or if the groups are better understood as four stages in one artist's career."
  
  See a similar fragment at the Getty Museum (object number 77.AE.21).
  
  Provenance: private Connecticut, USA collection; ex private collection, Germany (1912-1993); ex A.S. Richter collection, California, USA, acquired 21 November 1996; ex Christie's London 3 July 1996 - part of lot 71
  
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  #155932

  Condition

  A lovely fragment with light wear to pigment as shown, including a few small pits on the surface. Motif is well preserved.
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