**Originally Listed At $3500**
Ancient Near East, Eastern Turkey, Iran, and Armenia, Urartu culture, Iron Age, ca. 7th century BCE. An incredibly rare collection of bronze armor plates from the ancient Near East Urartu culture. The triangular panels may have been shoulder guards- encircling the wearer's neck and providing protection with the wing like protrusions - which could have also signified rank. The surfaces of several panels are etched with geometric motifs and may have been retouched / enhanced in modern times with ibex rams, grape clusters, and figures wearing the iconic conical helmets associated with Urartu. It is possible the pair of panels with an angled tips formed ear / cheek plate covers that would have attached to a similar helmet. Multiple pieces of armor from this culture are exceedingly scarce! Size of large shoulder plates: 13.5" L x 9.75" W (34.3 cm x 24.8 cm)
The civilization of Urartu (also known as the Kingdom of Ararat or the Kingdom of Van) was one of several states that arose following the destruction of the Hittite state in approximately 1200 BCE. Others included Tabal, Phrygia, and Lydia - each one possessed its own distinct language, religion, ethnicity, and visual culture. According to the Metropolitan Museum of Art Heilbrunn essay, "In their inscriptions, the Assyrians of Mesopotamia refer to the Urartians as their northern enemies from the eleventh to the seventh centuries B.C. However, the earliest known Urartian written document, a rock inscription at Van (ancient Tushpa), records the earliest reference to the state. There it says that Urartu was ruled by a king named Sarduri (r. ca. 840–830 B.C.), and mentions a male deity, Haldi, the supreme god throughout Urartian history." Urartu had such skill with bronze work that the Assyrians would take their finished metal objects whenever they could, through trade, warfare, or plunder. For example, Assyrian king Sargon II listed 305,000 bronze daggers as the plunder from a successful campaign in Urartu.
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Provenance: East Coast collection, New York Gallery, New York City, New York, USA, acquired before 2010
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#175787
Condition
The etched ibex and figure motifs are modern enhancements or retouched in modern times. 2 pieces are fragments of larger panels. Bending and chips to peripheries. Green patina mineral deposits and toning on all.