Near East/Middle East, Iraq, Abbasid Dynasty, ca. 9th to 10th century CE. A magnificent lustreware (lusterware) ceramic bowl, made in ancient Iraq, its technology inspired by Tang China. It is a shallow bowl with wide, flaring sides and a diminutive disc foot. The interior and exterior are decorated with beautiful motifs. The exterior features golden-colored and copper-colored lines and circles in a complex geometric pattern. The interior features a fanciful ibex or possibly a horse with either a huge pair of antlers or a mane rising from the back of the head. Its body is thick, its tail a series of spirals, and it wears a decorative ribbon and saddle. Opposite its tail is another spiral-like motif - this one Kufic script, painted in a single thick, steady stroke to create a line of highly stylized letters. A shorter line of text is below the animal's body. Surrounding the motifs is a dense background of dots as if the animal is traversing a rainy landscape. Size: 11.25" W x 3.25" H (28.6 cm x 8.3 cm)
In the later 8th century, Islamic empires in the west and China in the east battled each other for control of the incredibly lucrative trade along the Silk Road. At one point, the western powers captured a group of Tang Dynasty craftsmen, holding them in Baghdad for over 10 years. Tou-Houan, one of these captives, had been taken from his workshop near Samarqand during the Battle of Talas in 751 CE. After his return to China over a decade later, he wrote to his emperor that he and his countrymen had taught the Abbasids several important techniques. With this knowledge, Abbasid artisans created lustreware, a decorative style that they likened to alchemy - it used a lead-based glaze, silver, and copper paint to create a golden sheen on ceramic surfaces. The warm glow of the motifs here are a perfect example of this "magical" technology.
See several similar examples in the Khalili Collection, London, UK, the most famous collection of Islamic artwork in the world; see a similarly colored example at the Metropolitan Museum of Art (40.170.27).
Provenance: private California, USA collection
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#149147
Condition
Expertly repaired and restored from multiple pieces with very limited overpainting along some of the repair lines. Otherwise all pigment is original. Motifs are wonderfully preserved. Foot has some small losses but the bowl stands easily on its own.