Oceania, Papua New Guinea, Ramu River region, early 20th century. Skillfully carved from black palm wood, a tapa beater that features a fine carving of a zoomorphic visage at one end - perhaps that of a crocodile presenting ears or eyes raised in relief, a long snout with a nose that is also delineated in relief as well as an open mouth below. Above this, the beater is meticulously incised, perhaps to represent the skin/coat of the animal, with the lower section presenting repeated nested diamond motifs that each house a "Y" or "T" motif, followed by a cross-hatched section with a pointed end. The animal's face as well as the sides and underside of the beater are nicely painted with black striations. A mesmerizing example! Size: 2.125" W at widest point x 14.5" H (5.4 cm x 36.8 cm)
Tapa is a particular kind of bark cloth that is made in the South Pacific Islands. The cloth is of great social importance and is often given as a gift; however, prior to the introduction of synthetic fabrics, it was also used for everyday wear. The process for making it is complex and almost ritualistic. First, the paper mulberry tree is cut, the bark is stripped, and the inner bark retained and sun dried, then soaked. After this, the bark is beaten using a tool like this one. The sound of the tapa being beaten creates a rhythmic musical backdrop as the work is being done. The strips are then beaten together using plant starch to form a large sheet; the edges of this sheet are then trimmed using a knife or sharp shell. Finally, the tapa sheet is beautifully painted using stencils made from coconut.
Provenance: private Newport Beach, California, USA collection
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#142264
Condition
Expected age wear with inactive insect wear/loss to the underside as shown. Normal surface wear and nicks/chips/scuffs to high-pointed areas. Still, the incised and painted decoration are strong.