West Africa, Nigeria, Yoruba people, ca. early to mid-20th century CE. A massive sculptural wooden Epa mask and headdress that depicts traditional Yoruba culture with the overshadowing figure of a colonist in the center. Forming the base is a large cylindrical helmet cap with strap piercings for the wearer. At the center is a tall, white European man with a pith type of hat, flanked by large hornbill birds, their beaks dramatically arching downward. Perched around the man are figures including a mother nursing her child, a woman carrying a bundle with cotton straps, a man holding a clock, a woman with a rooster attached to her waist, and some abstract demon or spirit figures. White visages that represent Gelede or other masks are set into the helmet below the figures. Although enormous, the wood is somewhat lightweight and could be balanced on a performer's head for a short duration during the Epa masquerade and afterwards they were kept in shrines directing prayers. Size: 18" Diameter x 34" H (45.7 cm x 86.4 cm)
These masks traditionally are used to represent important roles in the community, like farmers, kings, mothers, and priests, and are also used the honor the ancestors who would have performed those roles in the past. The central figure would have represented a king or heroic warrior- often depicted with broad brimmed and beaded hat, surrounded by his attendants. These ceremonial masquerades often serve as entertaining artistic expression and cultural commentary. The main figure wearing a pith helmet hat is a telling sign of colonialism in Nigeria. Many Yoruba artisans created mocking and more light-hearted depictions of foreigners, as seen here, with the white man with a red and likely sun burnt nose and an oversized cap. This Epa headdress likely served as a critique of European relations at the time.
Provenance: private San Francisco, California, USA collection, acquired 1970s to 2000s
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#170527
Condition
Fair condition. Losses due to old inactive insect activity and bore holes on the central base and neck area of main figure. Other losses to figures. Several are removable and loosely attached via pegs or tenons. Old repairs with metal plates to bird heads and break lines on beaks and heads. Stable pressure fissure on central figure's hat. Earthen deposits, discoloration, and chipping to pigments.