Central Africa, Democratic Republic of the Congo, Songye peoples, ca. 20th century CE. A stunning, hand-carved wooden mask known as a kifwebe, presenting stylized features enveloped in decorative linear incisions. Adorned in white and black pigments, the fascinating vizard features a square mouth that projects upwards as though chanting. Just above, a ridge that forms the nose displays incised nostrils and is flanked by slit-form, openwork eyes. A black crest extends vertically down the face, beginning at the top of the forehead, travelling over the nose and mouth, and then flaring out to a triangular shape at the elongated chin. The eyes are also covered by a stripe of black that stretches to the periphery of each side, while the remaining surface of the mask is adorned with hand-sculpted horizontal and diagonal striations. Perforations along the edges likely held additional ornamentation or attached to a costume. Size: 7.5" W x 12.8" H (19 cm x 32.5 cm)
The most well-known masks of the Songye culture are Kifwebe masks worn in connection with the secret society known as the Bwadi Bwa Kifwebe. The elite in the Songye culture are seen as those who know and practice witchcraft and sorcery in the society, and the striated lines of the mask can be read by certain individuals to decode some of this mystical knowledge.
According to African and ethnology experts Iris Hahner-Herzog et al., "Bifwebe (sing. Kifwebe) masks belong to the accoutrements of a society of the same name that to this day enjoys extreme respect among the eastern Songye. The society includes individuals with supernatural power (basha masende) who are believed to manipulate spirits by means of magical techniques. The masks, supplemented by a woven costume and a long beard of raffia bast, dance at various ceremonies. They are worn by men who act as police at the behest of a ruler, or to intimidate the enemy in case of war." (Hahner-Herzog, Iris, Maria Kecskesi, and Laszlo Vajda. "African Masks from the Barbier-Mueller Collection, Geneva." Prestel Verlag, Munich, 2002, p. 212.)
Cf. the Brooklyn Museum, accession numbers 2011.4.2 and 81.165. Similar masks have been sold by Sotheby's New York for $20,000 on May 15th, 2017 as lot 116 in their Art of Africa, Oceania, and the Americas auction (sale number N09619) and Christie's Paris for 169,500 euros (equivalent to $197,850.91) on June 19th, 2014 as lot 200 in their Art d'Afrique, d'Oceanie et d'Amerique du Nord auction (live auction 3594).
Provenance: private Louisville, Colorado, USA collection
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#167580
Condition
Chipping to corners of mouth. Expected surface wear with some light nicks and abrasions. Otherwise, intact and excellent with nice remaining pigments. Metal wire on verso of suspension.