West Africa, Ivory Coast, Guro culture, ca. early to mid 20th century CE. A remarkable hand-carved wooden mask representing idealized female beauty known as a "gu". Boasting a lustrous burnish over a vibrant hue of crimson, the elongated visage features thick, pink-painted lips, a pointed nose, and a pair of heavy-lidded, slit eyes under an arched brow, all flanked by two petite ears. The vizard's sizable, convex forehead is capped by a black, undulating coiffure with white horizontal striations and a top avian decoration of a white bird with a long neck and a large raised tail. Four annular drill holes for attaching to costume, attaching ornaments, or securing to the wearer can be found on the periphery of the mask. Size: 5.875" W x 18.5" H (14.9 cm x 47 cm)
Gu masks are part of a Guro group of masks that are considered a family, consisting of a grotesque animal called a zauli, a horned mask known as a zamble, and a gu, which takes the form of a human. Gu, who is zamble's wife, performs last of the three and dances slowly and gracefully to flute music as she sings songs in honor of zamble.
Provenance: ex-Phoenicia Holyland Antiquities, New York, New York, USA
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#162657
Condition
Stable fissure to top of verso. Rope tied to back. White pigment on chin. Expected surface wear with a few light scratches commensurate with age and use. Otherwise, excellent and intact with impressive remaining pigments and earthen deposits in recessed areas.