West Africa, Nigeria, Yoruba peoples, ca. early to mid 20th century CE. A wonderful pair of hand-carved wooden female "ibeji" figures depicted standing on ovoid plinths with their hands on their hips and embellished with paint of vibrant cobalt blue. The first wears a tall, striped headdress that towers over her stylized visage of almond-shaped eyes with metal nails as pupils, long eyelashes, a flat nose, and full lips held in a smile. Horizontal and vertical incised striations decorate her face, likely intended to depict face paint or ritual scarification. A necklace of red glass trade beads hangs over her square shoulders. The second displays a round face with bulging eyes, a triangular nose, protruding lips, and high-set ears, all capped by an elaborate headdress of four pillars with a central circle. A pair of bracelets adorns each of her wrists, one comprised of red barrel-shaped glass trade beads with blue and white stripes and the other an aluminum wire. Size: 3.5" in diameter x 11.625" H (8.9 cm x 29.5 cm)
Both figures exhibit voluminous posteriors, pointed breasts, short legs, elongated torsos, and sizable feet with clearly incised toes.
The Yoruba have traditionally had a high rate of multiple births and have always valued twins as special. When one twin dies, a figure dedicated to Ibeji, - the deity of twins - is carved to be the earthly abode of the spirit of that twin. The figure is then nurtured by the mother and/or the surviving twin. The Yoruba have one of the highest number of twin births in the world, four times higher than in Europe, for example. Ibeji are known to the Yoruba as two people who share one soul. If one of the human twins dies, whether as a child or an adult, the surviving human twin is considered to have little hope of living with only half a soul. Further, the deceased's soul must have a place to reside. Hence, a figure dedicated to Ibeji is carved to shelter the spirit of the deceased twin.
Provenance: private Los Angeles, California, USA collection
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#162214
Condition
Base of larger has been repaired from two to three pieces with collection label on bottom. Expected stable fissures with clay covering some break lines, minor nicks/chips, and light abrasions, all commensurate with age. Otherwise, very nice with lovely earthen deposits and liberal remains of pigment.