Oceania, Papua New Guinea, Sepik River, Yuat River, Biwat people, ca. late 19th to early 20th century CE. An impressive bamboo flute topped with a hand-carved wooden figural stopper, depicting a man wearing a mask, crouching with arms bent to his sides. The long-faced mask features two petite cowrie snail shells as slanted eyes, topped with feathered lashes and surrounded by heavy lids and another for its mouth as a red septum piercing adorns its sharp nose. Decorated with volute shells and braided reeds on the bottom perimeter of his mask, the fun figure additionally wears a half-moon headdress decorated with another braided reed, shells, a black clay-like material, and feathers atop his extended forehead and coiled hair (which, by the way, is made from real human hair!), as well as a woven shell belt on his slim waist, a feathered loin cloth over his genitalia, and plaited reed anklets. Interwoven rope is tied around the small plinth atop the tall bamboo stalk flute which showcases entwined reeds, a sliced gastropod shell, and a loop of small shells laced together. The circular base of this musical instrumant is further embellished with long feathers. Lovely shades of chocolate, sienna, and beige add detail and depth to this excellent example from Papua New Guinea! Size: 7.25" W x 51.5" H (18.4 cm x 130.8 cm)
"For many New Guinea peoples, flutes are, or were, among the most sacred and important of all musical instruments. Sacred flutes were often made from hollow cylinders of bamboo and played, like a Western flute, by blowing through a hole in the side of the instrument near the upper end. The tops of side-blown flutes were frequently sealed with ornamental flute stoppers. Some of the finest flute stoppers were made by the Biwat people of the Yuat River in northeast New Guinea. Biwat flute stoppers typically portray stylized human images with small bodies and large heads with extremely high domed foreheads. Although they depict human figures, the stoppers adorned ashin, flutes associated with crocodile spirits. Ashin flutes were used, in part, during initiation rites in which novices crawled into the mouth of a large crocodile effigy to be cut by its teeth. The teeth, actually sharp implements wielded by the initiators, made cuts that healed into permanent scarification patterns on the novices’ bodies, marking them as initiated individuals." (The Metropolitan Museum of Art website)
Provenance: private Orange, California, USA collection, acquired in the 1930s
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#159670
Condition
Flute and stopper have been attached and holes of flute are covered. Two collection labels on bottom interior of flute. Some chipping and fading to paint, but excellent remaining pigment. Slight loss to feathers and hair. One shell missing on proper right side of mask. Otherwise, intact and excellent.