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THB1960s Inuit Soapstone Otter w/ Fish by Joe Talirunili
Lot 121f
About Seller
Artemis Gallery
686 S Taylor Ave, Ste 106
Louisville, CO 80027
United States
Selling antiquities, ancient and ethnographic art online since 1993, Artemis Gallery specializes in Classical Antiquities (Egyptian, Greek, Roman, Near Eastern), Asian, Pre-Columbian, African / Tribal / Oceanographic art. Our extensive inventory includes pottery, stone, metal, wood, glass and textil...Read more
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Live Auction in Progress ... Currently on Lot Estimate:
$4,000 - $6,000
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About Auction
Live
By Artemis Gallery
Jun 29, 2023
Set Reminder
2023-06-29 10:00:00
2023-06-29 10:00:00
America/New_York
Bidsquare
Bidsquare : Exceptional Antiquities, Ethnographic and Fine Art
https://www.bidsquare.com/auctions/artemis-gallery/exceptional-antiquities-ethnographic-and-fine-art-13031
Artemis Gallery info@artemisgallery.com
Artemis Gallery info@artemisgallery.com
View Full Catalog (339)
- Lot Description
Joe Talirunili ( Inuit, 1893-1976). Otter with Fish. Soapstone sculpture, ca. 1960/70s. Signed in English on posterior. A soapstone sculpture of a otter (or similar long tailed mammal) devouring a fish by renowned Inuit printmaker and sculptor Joe Talirunili. The base of the squatting animal is signed simply "JOE" with a number: "1-20947." Talirunili, was a resident of Povungnituk and became known for his rough yet evocative carvings- if a piece broke off, he would often simply use glue and continue with the piece. This sense of immediacy in both material selection and execution are intuitive to the scenarios they depict, highlighting themes of resilience and endurance. Size: 3.75" L x 4" W x 5" H (9.5 cm x 10.2 cm x 12.7 cm) Size: 3.75" L x 4" W x 5" H (9.5 cm x 10.2 cm x 12.7 cm)
Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976.
When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion."
Provenance: private Greenwood Village, Colorado, USA collection
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#178781Chips and loss to foot and some minor abrasions and nicks to surface. Overall great condition and clearly signed on base.Condition
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