1788 Ellsworth Industrial Boulevard NW
Atlanta, GA 30318
United States
Ahlers & Ogletree Auction Gallery is a full-service auction gallery strategically located on Miami Circle in the historic Buckhead district of Atlanta, one of the Southeastern United States’ largest commercial and financial centers. The gallery is owned and operated by Robert Ahlers and his wife Chr...Read more
Two ways to bid:
Price | Bid Increment |
---|---|
$0 | $25 |
$250 | $50 |
$1,000 | $100 |
$2,000 | $250 |
$5,000 | $500 |
$10,000 | $1,000 |
$20,000 | $2,500 |
$50,000 | $5,000 |
$100,000 | $10,000 |
$200,000 | $25,000 |
$500,000 | $50,000 |
Jan 3, 2016 - Jan 4, 2016
Eduardo Paolozzi (Scottish, 1924-2005). "Universal Electronic Vacuum #7: Sun City" - 1967, serigraph in colors, artist's proof 3/9, published by Kelpra Studios, pencil signed lower center margin, pencil inscribed lower right margin "artists proof set 3 of 9". Screenprint depicting a collage of images in vivid palette of oranges, and pinks comprising fields of geometric shapes, pixelated cartoon imagery, repeated patterns such as planes, and diamonds, and vintage photography of space and toy advertisements, the imagery situated above a block of text set in black on gray to bottom - according to Rosemary Miles, the series deals with the "contribution of computer processing to our visual repertory" and Sun City in particular "information about a Vietnamese brothel is as trivial as soft toys". Framed approximately 40.625" x 27.625". Sheet size approximately 39.875" x 26.75". Image size approximately 34.25" x 23.5". Provenance: From the Private Collection of Benno & Babette Rothschild, Columbus, Georgia. Reference: The Complete Prints of Eduardo Paolozzi, London 1977, Rosemary Miles, 27.
Sheet joined to mat board with hinging tape on verso. Light toning to sheet. Light mat burn from previous mounting. No signs of holes, rips, tears or water damage. Colors rich and saturated without signs of fading. No signs of foxing. Light wear to corners and edges from light handling. No signs of creases or fold lines. No other signs of damage, loss or repair.